The source of work will always be present within its self,
and when the source is used not as style choice but as an investigation will an
mêlée for form unfold? The current struggle is; does one need to acknowledge within the
work that an investigation into it’s own sources is taking place? Does it take
place after the work is completed by a self-reflected title? Is this approach
of titling a work in this matter removed from the physicality of making,
further rendering the acknowledgement of the source as mere concept never
merging with the form within the work? Must
determining the formal presentation of a body of work come from the
investigation of the source resulting in and subsequently creating reasons for
the supplementary exploration into the source? Does the then determine form
used to talk about the reasoning for the source creates the footholds for how
the rest of the elements are utilized into a Concept? Yes!
The form of rubbing became an investigation of source.
No comments:
Post a Comment